the descent from the cross rembrandt

The Descent from the Cross by Torchlight exemplifies the artist’s ability to portray religious scenes rich with human emotion and expressive drama. Find more prominent pieces of sketch and study at Wikiart.org – best visual art database. Rembrandt van Rijn The Descent from the Cross by Torchlight, Etched in 1654, Printed in 1906 (Beaumont, Paris) The Descent from the Cross (Rubens, 1600–1602), Siegerland-Museum, Siegen, Oberes Schloss; The Descent from the Cross (Rubens, 1612–1614), Antwerp Cathedral; The Descent from the Cross (Rubens, 1617), Palais des Beaux-Arts de Lille; The Descent from the Cross (Rubens, 1618), Hermitage Museum, St Petersburg Although the degree to which Rembrandt was involved in the execution of either of … Etching and engraving, 1633. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. ‘The Descent from the Cross’ was created in 1634 by Rembrandt in Baroque style. He reels backwards, mouth open, eyebrows raised in amazement at your startling arrival. The earlier, Rubens Descent, is a triptych whose side wings portray the Visitation and the Presentation at the Temple. "The Descent from the Cross" was most likely planned by Rembrandt van Rijn and executed by Constantijn van Renesse, one of his gifted students. Rembrandt, who based his 1633 Descent from the Cross for the Passion series on Lucas Vorsterman’s reproductive engraving after Rubens’ altarpiece The Descent from the Cross, now in the Antwerp Cathedral, may have decided to emulate not only Rubens’ composition but also the large scale in which Rubens worked. [1], https://web.archive.org/web/20120217191016/http://www.pinakothek.de/rembrandt-harmensz-van-rijn/kreuzabnahme-christi, Bust of a Man Wearing a Gorget and Plumed Beret, Diana Bathing with her Nymphs with Actaeon and Callisto, Pendant portraits of Maerten Soolmans and Oopjen Coppit, The Archangel Raphael Leaving Tobias' Family, Ahasuerus and Haman at the Feast of Esther, Self-Portrait Wearing a White Feathered Bonnet, Self-Portrait in a Black Beret and Gold Chain, Self-Portrait with Beret and Turned-Up Collar, https://en.wikipedia.org/w/index.php?title=The_Descent_from_the_Cross_(Rembrandt,_1633)&oldid=939113388, Wikipedia articles with RKDID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 4 February 2020, at 12:35. We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. Interpretation of Descent From the Cross by Roger van der Weyden. It is now in the Alte Pinakothek in Munich. The Descent from the Cross, or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion. It is now in the National Gallery of Art in Washington. The Descent from the Cross may refer to one of several paintings by Peter Paul Rubens: . The figures surrounding Christ gaze on in awe. The Descent from the Cross is a 1633 painting of the Descent from the Cross by Rembrandt. Enveloped in the black of night and lit with a single flame, the heavy mood surrounding Christ’s descent from the cross is intensified in Rembrandt’s nocturne etching. He centers Christ in a classic Laocoon-like pose, with an … Medium: Etching and burin. Descent from the Cross by Torchlight 1654 Rembrandt (Rembrandt van Rijn) Dutch This etching is part of a series of scenes from the Passion of Christ that Rembrandt created around 1654. The Descent from the Cross is the 13th Station of the Cross. REMBRANDT VAN RIJN The Descent from the Cross: Second Plate. Rembrandt (1606 - 1669) (printmaker) Associated place. 528x407 mm; 20 3/4x16 1/8 inches, narrow to thread margins. The Descent from the Cross illustrates a group of men taking Christ down from the cross after his crucifixion. The Descent from the Cross by Rembrandt van Rijn is a 100% hand-painted oil painting reproduction on canvas painted by one of our professional artists. Such a comparison shows that Rembrandt had fundamentally transformed Rubens’s heroic pathos into a powerful realism that evokes in the viewer a deep sense of involvement in… It is a companion piece to Rembrandt's later The Raising of the Cross. The Descent from the Cross. Descent from the Cross Holland, 1634 Like other paintings by Rembrandt on Christian subjects, The Descent from the Cross was not intended for a church, as in Protestant Holland places of worship were not decorated with painting or sculpture. In this monumental Rembrandt The Descent from the Cross: Second Plate, 1633, Rembrandt depicts the momentous moment in which Christ's body is released from the cross. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Date: 1633. Europe (place of creation) Date. Holland, 1634. The Descent from the Cross by torchlight. Rembrandt - The Descent from the Cross. Following Rembrandt’s passing in 1669, his remaining copper etching plates virtually stayed intact as they passed from collector to collector until 1993 when a sale at the London Original Print Fair dispersed the plates around the globe. (52.2 x 38.3 cm) Classification: Prints. Here, he diverged from traditional representations of the Descent from the Cross by focusing on the silent activity of taking down and burying Christ’s body. Credit Line: Gift of Henry Walters, 1917. You can see the whites of his eyes. Other figures not mentioned in the Gospels … Descent from the Cross. The extraordinary Hermitage Museum in St Petersburg has a fine selection of Rembrandt paintings, including the powerful scene of Descent from the Cross from 1634 This powerful scene was incorporated into several other Rembrandt artworks, but this is the most famous version. Reference #81 according to the British Catalogue, circa 1797, is a hand pulled-ETCHING from the AUTHENTIC & Original copper Rembrandt plates by Armand-Durand (1831-1905) overseen by Art World Industries, inc. Find more prominent pieces of religious painting at Wikiart.org – best visual art database. Like other paintings by Rembrandt on Christian subjects, The Descent from the Cross was not intended for a church, as in Protestant Holland places of worship were not decorated with painting or sculpture. Artist/maker. It was the second altarpiece to be completed by the artist for the Cathedral; the first being The Elevation of the Cross (1610–11). The Descent from the Cross is a 1633 painting of the Descent from the Cross by Rembrandt. The UK Independent, at the time, described the plates being sold as “like chips off the True Cross.” It is a companion piece to Rembrandt's later The Raising of the Cross. It is believed that Rembrandt produced his iteration of this iconic scene in response to Peter Paul Rubens’ painting of the same scene from 1612–14. …in a comparison of Rembrandt’s Descent from the Cross (1632/33) with the print after Rubens’s Descent from the Cross that Rembrandt unquestionably used. This formula fully expresses the current Baroque tendency, which found its most powerful representative in Peter Paul Rubens.In fact, in The Descent from the Cross, Rembrandt is obviously dependent upon Rubens' treatment of the same subject in Antwerp. 1633, Alte Pinakothek, Munich. Rembrandt’s original oil was strongly influenced by an altarpiece of the same subject by Peter Paul Rubens. Rembrandt is shocked to see you. It is now in the Alte Pinakothek in Munich. (Rembrandt, 1650–1652) The Descent from the Cross is a 1650–1652 painting of the Descent from the Cross by Rembrandt, Constantijn van Renesse and Rembrandt's studio. There is some similarity with the Descent from the Cross by PP Rubens, but Rembrandt's work is more serene than the dramatic tableau by Rubens. In Byzantine art the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross by Rubens is the centre-panel of a triptych which he painted for the Cathedral of our Lady, in Antwerp. Discover and collect art from Rembrandt van Rijn’s iconic The Descent from the Cross series and more. The Descent from the Cross, the painting, remains one of Rembrandt's most famous and respected artworks, though there is also much to appreciate from this etched version. As in "The Circumcision" (1661), "The Holy Family at Night" (c. 1645) and other religious paintings from Rembrandt, … Rembrandt utilizes strong contrasts between light and dark, illuminating Christ in heavenly light that shines down from the upper right corner. The Descent from the Cross c. 1633 Oil on canvas, 90 x 65 cm Alte Pinakothek, Munich: Catalogue number: Bredius 550. Biörklund's second state (of 5), before the address of Uylenburgh lower right; Usticke's first state (of 5); New Hollstein fourth-fifth state (of 8). Measurements: image size is 21" x 16". The Descent from the Cross is a 1650–1652 painting of the Descent from the Cross by Rembrandt, Constantijn van Renesse and Rembrandt's studio. Titled "The Descent from the Cross: the Second Plate" (year of original 1633). With border measures 27" x 22". From Forum Auctions, Rembrandt van Rijn, The Descent from the Cross: Second Plate (1633), Etching and engraving, 54 × 41.2 cm Ref. It is now in the National Gallery of Art in Washington. The Descent from the Cross (Rembrandt, 1650–52), Bust of a Man Wearing a Gorget and Plumed Beret, Diana Bathing with her Nymphs with Actaeon and Callisto, Pendant portraits of Maerten Soolmans and Oopjen Coppit, The Archangel Raphael Leaving Tobias' Family, Ahasuerus and Haman at the Feast of Esther, Self-Portrait Wearing a White Feathered Bonnet, Self-Portrait in a Black Beret and Gold Chain, Self-Portrait with Beret and Turned-Up Collar, https://en.wikipedia.org/w/index.php?title=The_Descent_from_the_Cross_(Rembrandt,_1650–1652)&oldid=949937633, Collections of the National Gallery of Art, Wikipedia articles with RKDID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 9 April 2020, at 10:37. According to Rembrandt himself, his The Descent from the Cross observed "the greatest and the most natural movement". Accession Number: 17.37.69 The painting is part of a series of passion paintings that Rembrandt made for Frederik Hendrik, the stadtholder. Rembrandt received a commission from the court in about 1628 through Constantijn Huygens, secretary to the Prince of Orange, for five paintings of the Passion of Christ. Dimensions: sheet: 20 9/16 x 15 1/16 in. Descent from the Cross, Rembrandt van Rijn. On Somerset paper. 1633, 89.4 x 65.2 cm, Oil on panel, Alte Pinakothek, Munich Rembrandt’s Descent from the Cross is stylistically unusual and reproductive, unlike most of his prints, which were original designs rather than printed paintings. Title: Descent from the Cross. Rembrandt Van Rijn The Descent From The Cross View Catalog Sold: $520 Estimate: $900 - $1,250 February 8, 2019 Las Vegas, NV, US Request more information Additional Details. ‘The descent from the cross’ was created in 1633 by Rembrandt in Baroque style. 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